For one, I never noticed how incredibly sexy Alex is. Not when he was wearing his mask and about to perform a little in-out with that poor woman in her own home with her helpless husband watching; God, no! But, in general, I was always so overtaken with his nihilistic, id-like state of being. Alex DeLarge was very much a despicable character, no? Well, no. This time around, I noticed that for as fucked up as a person he is, he is quite likeable; quite refined, actually. And quite charming when he isn't cutting people with his walking stick/ knife... Actually, most sociopaths are capable of extreme charm- but for personal gain. They're likeble, fun, and charismatic. Weird, eh?
Alex is actually a man of refined taste. He loves Beethoven's ninth and has extremely fine taste in clothing. When he's out with his droogs for a night of the ultra-violent, he wears a crisp white collared shirt with eyeball cuff links, suspenders, white pants, black combat boots, and a bowler hat. He wears cute white tighties with blue trim underneath it all. When he skipped school, he put on this floor length purple jacket with a crazy collar and carried a walking stick. When he was sentenced to jail time, he went in wearing a lovely navy suit and those amazing leather ankle boots that looked so hot on guys in the 60s...

As I walked home with my friend, I searched for words to put my thoughts to. I tried to say, for as fucked up as those violent scenes were to watch, in a way, they weren't. I couldn't explain it. Today, I read a little bit about it and found that they used the word "detached" to describe the rape scenes and the other ultra-violence in the movie. And, yes, detached is the right word, I would say. Set to sunny music, we see things through Alex's eyes, and thus, we see it in a way that makes it seem ok. Because for him, it is ok. Chilling. Genius, really.
I also never noticed, as a teenager, the amount of filth that abounded in their world. The world where the misfits were really keeping in line with what the government wanted: people off the streets; no place to commune or get together or to start rebellions or revolutions. The kids made that possible by scaring everyone off the streets, from the drunken homeless man they ruthlessly beat in the movie version to the man carrying books from a library that they beat and tore at in the book version. This story was supposed to have taken place in the early 2000s (I swear I saw 2001 written somewhere when he went to that extremely cool, psychadelic-looking record shop/ mall while he skipped the school) and the book was written in the 60s, when the USSR and the US were positioning themselves as the superpowers of the world. Therefore, A Clockwork Orange is this strange mix of consumerism/ pop-culture and totalitarianism; garbage and Municipal Flatblock 18A comingling. There are murals on the walls with grafitti: dicks and the words, Suck it and See coming out of a guy's mouth. And his home is a hallucinogenic wonderland with the brightly-colored, highly stylized wallpaper, furniture, and decor. His room is very neat, highly ordered, Ludwig Van Beethoven peering at him from his shade as he curls up with his pet snake for a bit of shut-eye.

It is so very hard to make a despicable character one that we become endeared to. In A Clockwork Orange, that happens, as a government experiment goes awry and the media turns Alex's story into headlines. The government, hurriedly, undoes what they've done and become allies with Alex. We, the watchers, almost feel relieved that he has been "fixed." Wait a minute. Fixed means he's super evil again. What? I'm happy about this? Why? Well, because this whole movie is about free will verses totalitarian control. And violence, as fucked up as it is, is an aspect of free will. Without violence, Alex can't even function in this ficticious world.
The acting, the soundtrack, the cinematography, the finely-detailed costumes, the storyline, and the set design all come together and remind me why Stanley Kubrik is such a genius. And that scene where Alex is scratching his ass, walking down the hall in his blue-trimmed tighties brought to light how incredibly hot the then 28 year old Malcolm McDowell was... holy smokes. I might go buy one of those movie posters.
